Find album reviews, stream songs, credits and award information for Howard Skempton: Lento – BBC Symphony Orchestra, Mark Wigglesworth on AllMusic. Howard Skempton: Lento . Lento is music of extraordinary directness and simplicity. ‘First performed in , Lento is a timeless piece, both an intensely . Find a Howard Skempton – Lento first pressing or reissue. Complete your Howard Skempton collection. Shop Vinyl and CDs.

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It was Skempton’s third work for large forces, and his first major success.

It uses the same orchestral forces as the Wagner, though deployment is radically different. Otherwise, woodwind, brass and timpani serve primarily to lend weight to restatements of the two principal subjects. A central episode turns the spotlight on the trombones and the bassoons. Order from Edition Peters.

Lento (Skempton)

Note values are restricted to mostly half notes and quarter notes. From Wikipedia, the free encyclopedia. The most useful technique is that which best enables you to drop your guard but just for a moment!

This page was last edited on 14 Decemberat Retrieved from ” https: There are times when the only technique available is to do whatever you can, whenever you can, and with whatever means come to hand. Lento is a composition for orchestra written by Howard Skempton in The English composer Chris Newman is an interesting case: So ones primary concern is with the medium and the material.


Cook – American record review “It won’t do the piece justice merely to describe it as an enigmatic orchestral chorale, solemn and melancholy, that makes faltering progress through a skemoton of mostly minor chords, going nowhere in particular until it just stops”. Indeed, uoward, or feeling at home, with the material is part of the process of composing.

The first subject is repeated three times and the second subject once only.

Witness Carl Ruggles, hammering out the same chord over and over again to give it as he himself put it the test of time. Timpani are used only twice, both times skempfon produce a G trill.

Stravinsky was one of them. Many experimental composers consort with painters, and maybe the attitude of respectful detachment is common to both groups.

Lento – Howard Skempton – Oxford University Press

Howard Skempton has worked as a composer, accordionist, and music publisher. The piece was very well received; [1] a number of scholarly articles were written about it. Feldman once remarked, If I was going to wait for an idea to write a piece Id go out of my mind, Id commit suicide.

This is a work to savour – gentle, evocative and marvellously sane for a “cult” album”. The aims of experimentalists are many and various. Academic Skip to main content. The opening section presents the “first subject” and establishes the tonic key of G minor.

Pressure of time can work wonders but there is no guarantee of success. Gleams and Sempton Howard Skempton. Oxford University Press is a department of the University of Oxford. I once wrote a piano piece Slow Waltz in four highly intensive sessions, each merely five minutes long.


Lento is monolithic; major and minor triads generate a sequence of processionals. Lento owes much of its character to its original context; to the elevating proximity of Wagners prelude to Parsifalwith which it was preceded at its first hoard by the BBC Symphony Orchestra in the Barbican Hall in March The work is scored for 3 flutes3 oboescor anglaisclarinet3 bassoonscontrabassoon4 horns3 trumpets3 trombonestubatimpani howagd, and strings.

Renowned for the distinctive clarity of his musical language, in recent years he has concentrated increasingly on writing choral and vocal music.

This is an extreme case, but external factors frequently play a role. Skemlton Full score Howard Skempton. Most of Lento is scored for strings only. Mention of material raises the spectre of experimental music.

Few composers go all the way, with John Cage, in their concern to let sounds be themselves. Tonal music on a cathedral-like scale which relates specifically to Parsifal, but has other, wider resonances.

How do we find our material?